The programming layer behind the spectacle — pixel mapping and show control that sync LED, kinetic lighting and robotics to music and timecode, so every element lands on the same beat.
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Pixel mapping treats every LED node as an addressable pixel, so video and effects flow across irregular shapes, transparent walls and kinetic elements as one surface. Show control then cues lighting, kinetic lighting, LED and KUKA robotic arms together on music or timecode — so the whole room moves as a single, repeatable show.
We program in MADRIX, Art-Net and DMX, drive media servers for video content, and lock everything to SMPTE timecode for frame-accurate, repeatable shows. Whether it is a one-night activation or a touring set, we build the show file, rehearse it and operate it live.
Treating each LED node as an addressable pixel so video and effects flow across screens, transparent walls and kinetic elements as one continuous surface.
The system that cues lighting, LED, kinetic elements and robots together on music or timecode, so every element fires on the same beat, every run.
MADRIX, Art-Net and DMX for lighting and pixel work, media servers for video, and SMPTE timecode to lock it all together.
Yes — that is the point of show control. We choreograph robots, LED walls and kinetic lighting into one synchronized show.
Both — we can run to SMPTE timecode for frame-accurate repeatability, or map effects to live audio.
Yes — we build and rehearse the show file and our technician operates it on-site.
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Tell us your date, venue and concept — we reply within 24 hours.
Related: Transparent LED · Kinetic Lighting · For Agencies